LA VILLE MORTE
ALBUM RELEASE PARTY
A world premiere recording a century in the making! Produced by Pentatone Records.
Artwork: La ville morte, Sophie von Hellerman © 2023 Sam Roberts Photography © 2023
Trailer | Watch the Greek National Opera’s trailer for "La ville morte from the World Premiere performances in January 2024.
DATES & TICKET INFO
Click the date below to purchase tickets.
5:30pm - Wednesday, January 14, 2026
Musical Program at 6:15pm
VENUE & LOCATION
The Dimenna Center for Classical Music
450 W. 37th St. New York, NY 10018
On 37th St. just before 10th Ave. Access via the 7 Train at 34th St./Hudson Yards or via A,C,E Trains at 34th St./Penn Station.
ALBUM CAST & CREATIVE TEAM
Hébé: Melissa Harvey, soprano
Anne: Laurie Rubin, mezzo-soprano
Léonard: Joshua Dennis, tenor
Alexandre: Jorell Williams, baritone
Conductor: Neal Goren
Stage director: Robin Guarino
ALBUM PRODUCTION TEAM
Executive producers: Adam Abeshouse, Neal Goren, Ben Newman, Ealan & Melinda Wingate
Recording producers & engineers: Adam Abeshouse & Doron Schachter
Mixing & mastering: Silas Brown & Doron Schachter
Assistant recording engineer: Kristopher Allis
Editing: Doron Schachter
PENTATONE TEAM
Managing Director: Sean Hickey
Label Director: Silvia Pietrosanti
A&R: Alice Lombardo
Product Management: Ana Teodorović
Press: Allie Summers
Distribution: Camilla Vickerage
Audio: Wirre de Vries
Finance: Adrie Engels
Admin: Lineke Steffer
THE PARTY
Join us on Wednesday, January 14, 2026 at the Dimenna Center’s Cary Hall to celebrate the release of Catapult Opera’s first recorded album, the World Premiere recording of Nadia Boulanger’s only opera La ville morte. Recorded live in performance during Catapult’s acclaimed production last spring, the album is produced by Pentatone Records and is available for purchase and streaming on all music platforms on Friday, January 9, 2026.
The party begins with a French & Greek inspired wine & hors d’oeuvres reception followed by a musical program featuring soprano Melissa Harvey and tenor Joshua Dennis led by Catapult’s Founder & Artistic Director Neal Goren with accompaniment by pianist Lydia Brown.
Each VIP ticket purchase comes with a copy of the double-disc album. All ticket buyers get 25% off the purchase price of the album at the party.
THE STORY
Long overshadowed by her towering legacy as one of the 20th century’s most influential music teachers, Nadia Boulanger’s creative voice as a composer is rediscovered in La ville morte (The Dead City) – a haunting opera of passion, loss, and psychological intensity. Composed in collaboration with Raoul Pugno and based on a libretto by Gabriele D’Annunzio, this rarely heard work unfolds in the ruins of ancient Mycenae, where buried desires mirror the city’s decaying past. With themes of obsession, betrayal, and blurred boundaries, the opera’s rich emotional landscape is matched by impressionistic orchestral textures and intimate, arioso-style writing that nods to the styles of both Debussy and Wagner. In this evocative setting, Boulanger reveals a daring, expressive side that defies her reputation as the stern guardian of musical tradition.
This World Premiere recording marks the PENTATONE debut of soprano Melissa Harvey, mezzo-soprano Laurie Rubin, tenor Joshua Dennis, baritone Jorell Williams, the Talea Ensemble, and conductor Neal Goren. The opera’s orchestration–reconstructed by Joseph Stillwell and Stephan Cwik under the supervision of David Conte–breathes new life into a long-silent score. A co-production between Catapult Opera and the Greek National Opera, La ville morte is not only a rare glimpse into Boulanger’s compositional brilliance, but also a thrilling addition to the modern operatic repertoire.
LEARN MORE
Learn more about Nadia Boulanger’s musical influences in this article, written by Catapult’s Founder and Artistic Director Neal Goren and read the San Francisco Classical Voice’s Review of the album HERE.
SPECIAL THANKS
Catapult Opera is deeply grateful to Ealan and Melinda Wingate, Paul L. King, and The Stavros Niarchos Foundation, without whom this recording of the co-production with The Greek National Opera would not be possible.
We also extend our deep appreciation to the late Grammy Award winning recording engineer Adam Abeshouse, whose contributions in the face of a terminal cancer diagnosis were invaluable in making this recording.